Aldo Nova

Listen to "Aldo Nova Releases 2 Point O" on Spreaker. A fit, handsome twentysomething in a leopard-print bodysuit exits a helicopter and is followed by armed guards toward some kind of warehouse. Entry is gained via a magical Gibson Les Paul, which, naturally, the young hero uses to fire laser beams at the door. Inside, he meets his band onstage and performs “Fantasy,” among the earliest staples on MTV, and one of the best and most perfect singles in rock history—a flawless balance of pop-metal craftsmanship, studio ingenuity and hard-earned musicianship, flaunting killer guitar leads and trailblazing synth parts. “I don’t know what possessed me to wear a stripper’s leopard-print outfit,” Aldo Nova says today, chuckling. A remarkable record from start to finish, Also Nova can be understood in rock history as both an icon of its era and a profound but still unsung influence on things to come. On October 19, the guitarist, vocalist, keyboardist, songwriter and producer will release his first new album release in over three decades. Titled 2.0 (Megaforce), it’s a collection of supercharged reinventions of six classic songs off his self-titled smash debut, plus one new original, “I’m a Survivor,” initially written for Foreigner singer Lou Gramm. 2.0 stands as a testament to the extraordinary integrity and continuing imagination of an uncompromising artist who would only make his comeback on his terms. “I thought, ‘I’m gonna become visible again when I have something to say, and when I have something that’s good enough that I can present it to my fans,’” Nova says. “Because that’s always been my priority.” The idea for 2.0 was set in motion in late 2016. “When I turned 60, I told myself I was going to turn the page,” Nova says. “I realized I had to shut the book and write a completely new book.” He wanted to celebrate his debut’s 35th anniversary in some fashion, but rather than simply remaster and reissue the album, he thought to “bring the songs into the 22nd century.” He was sober, calm, confident, full of faith and in the best shape of his life. As it turned out, the angst, ego and hunger of his younger days were overrated. A Montreal native, Nova was approached by a 15-year-old Celine Dion to producer her first album, and released Blood on the Bricks on Jon Bon Jovi’s Jambco label in 1991. It stood as the culmination of a long-running friendship and, as any knowledgeable rock fan might argue, a thank-you note of sorts: the rock superstar lifting up the personal hero whose sound provided the blueprint for his own hits. Nova provided guitar, keys and background vocals for the demo of Bon Jovi’s first hit, “Runaway,” and ended up playing with an assemblage of session musicians throughout Bon Jovi’s 1984 self-titled debut. Nova’s imprint is also all over Jon Bon Jovi’s debut solo album, Blaze of Glory—especially the chart-topping title track, on which Nova’s writing and producing went uncredited but were absolutely essential. Blood on the Bricks was released alongside “Smells Like Teen Spirit,” and the landscape changed completely. “Nirvana was amazing,” he says. “Just the way Kurt Cobain could rip his own soul out when he sang.” Over the next three decades, Nova’s journey would take him through great professional highs and painful personal lows, and eventually into self-discovery and spiritual contentment. He decided again to focus on his roles as a writer, producer and session musician, capitalizing on the goodwill he’d generated in the industry to put food on the table for his family. During the ’90s and 2000s, in addition to tracks for popular foreign-language artists, Nova collaborated with Jon Bon Jovi, Faith Hill and Clay Aiken (he co-wrote his hit “This Is the Night”), and did hugely successful work with Celine Dion. In 1997, Nova won a Grammy for Dion’s blockbuster album Falling Into You—“It’s a paperweight,” he laughs; “what I do today is what counts”—and co-produced/co-wrote later Dion singles like the global smash “A New Day Has Come” and “You and I,” the latter chosen as Hillary Clinton’s campaign song in 2008. Canadian music-industry bigwig Paola Simonetto became the love of Nova’s life, as well as his advocate and catalyst. Simonetto continues to inspire and support Nova, though not from this earthly plane. “During the time that I was working on 2.0, my wife was diagnosed with pancreatic cancer,” he explains. “I managed to finish the album right before she passed away on Christmas Day. I still was able to take care of every doctor’s appointment, every chemo treatment. I was cooking and cleaning and at night I worked on my album. “She always had very good ears. She gave me a lot of pointers on what to do with the music and what not to do,” he continues. “She was a big part of why 2.0 sounds as good as it does.” “With 2.0, my goal has already been achieved, as far as I’m concerned,” Nova says. “I wanted to beat the 1.0 to death. The second thing is to reintroduce my music to the old fans, and play to a new generation of fans who just developed an interest. I don’t think that young generation has heard music like this ever before. I’m on top of my game now. I’m ready for it.”